Ron Athey is one of the most important, prolific and influential performance artists of the past four decades. A singular example of lived creativity, his radical performances are at odds with the art worlds and art marketplaces that have increasingly dominated contemporary art and performance art over the period of his career.
Queer Communion, an exploration of Athey’s career, refuses the linear narratives of art discourse and instead pays homage to the intensities of each mode of Athey’s performative practice and each community he engages. Emphasizing the ephemeral and largely uncollectible nature of his work, the book places Athey’s own writing at its centre, turning to memoir, memory recall and other modes of retrieval and narration to archive his performances.
In addition to documenting Athey’s art, ephemera, notes and drawings, the volume features commissioned essays, concise ‘object lessons’ on individual objects in the Athey archive, and short testimonials by friends and collaborators including Dominic Johnson, Amber Musser, Julie Tolentino, Ming Ma, David Getsy, Alpesh Patel and Zackary Drucker, among others. Together they form Queer Communion, a counter history of contemporary art.
Tabela de Conteúdo
Acknowledgments – Amelia Jones and Andy Campbell
Prelude – Amelia Jones and Andy Campbell
Introduction: Queer Communion and the Worlds of Ron Athey – Amelia Jones
Writing Athey – Amelia Jones
Previously Published – Unless otherwise noted, text entirely by Ron Athey
Unpublished – From the Ron Athey archive
Reflections
The Alchemist: Ron Athey – Lisa Teasley
Anatomy of a Revival – Karen Gonzalez Rice
The Right to Bleed in Public: On Premature Ejaculation – Leon J. Hilton
“A Poetry of Meaningful Experience”: Miss Velma Jaggers’s Stagecraft, Fisting, and Ron Athey’s Miraculous Acts – Andy Campbell
Ron Athey Rolls Deep – Lisa Newman
The Beauty of the Dork – Vaginal Davis and Ron Athey, reprint from LA Weekly
big brother/big sister – Cesar Padilla
AIDS, Athey, and Culture War – Jonathan D. Katz
An Unruly Archive By Each of Us Towards Each of Us… – Julie Tolentino
Father Daughter Love – Zackary Drucker
Athey-ism – Bruce La Bruce
Divine Fire: Ron Athey in Europe – Dominic Johnson
The Light of Night – Lia Gangitano
Object Lessons
Codpiece – Amelia Jones
HIV Lifecycle Model – Andy Campbell
Honcho – David Getsy
“Rod ‘n’ Bob” (Arrested Intimacies of the Flesh) – Amber Jamilla Musser
Leigh Bowery Cape – Alpesh Kantilal Patel
Resonate/Obliterate (or, Untitled [Dear Ron]) – Ming-Yuen S. Ma
“Raised in the Lord” – Jennifer Doyle
General Checklist – Amelia Jones
Ron Athey Timeline – Ana Briz and Andy Campbell
Index
Sobre o autor
Amelia Jones is the Robert A. Day Professor at the Roski School of Art and Design at the University of Southern California. A curator and a theorist and historian of art and performance, her recent publications include Seeing Differently: A History and Theory of Identification and the Visual Arts (2012), Perform Repeat Record: Live Art in History (2012, co-edited with Adrian Heathfield), the anthology Sexuality (2014), and Otherwise: Imagining Queer Feminist Art Histories (2016, co-edited with Erin Silver). Her exhibition, Material Traces: Time and the Gesture in Contemporary Art, took place in 2013 in Montreal. She edited ‘On Trans/Performance’, a special issue of Performance Research (2016).
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