Who ‘speaks’ to us in The Sorcerer’s Apprentice, in Wagner’s operas, in a Mahler symphony? In asking this question, Carolyn Abbate opens nineteenth-century operas and instrumental works to new interpretations as she explores the voices projected by music. The nineteenth-century metaphor of music that ‘sings’ is thus reanimated in a new context, and Abbate proposes interpretive strategies that ‘de-center’ music criticism, that seek the polyphony and dialogism of music, and that celebrate musical gestures often marginalized by conventional music analysis.
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A propos de l’auteur
Carolyn Abbate is Professor of Music at Princeton University. She is the editor of
Analyzing Opera and the author of
Richard Wagner: Tristan.
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Langue Anglais ● Format PDF ● Pages 304 ● ISBN 9781400843831 ● Taille du fichier 7.9 MB ● Maison d’édition Princeton University Press ● Lieu Princeton ● Pays US ● Publié 1996 ● Téléchargeable 24 mois ● Devise EUR ● ID 5489414 ● Protection contre la copie Adobe DRM
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