Who ‘speaks’ to us in The Sorcerer’s Apprentice, in Wagner’s operas, in a Mahler symphony? In asking this question, Carolyn Abbate opens nineteenth-century operas and instrumental works to new interpretations as she explores the voices projected by music. The nineteenth-century metaphor of music that ‘sings’ is thus reanimated in a new context, and Abbate proposes interpretive strategies that ‘de-center’ music criticism, that seek the polyphony and dialogism of music, and that celebrate musical gestures often marginalized by conventional music analysis.
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关于作者
Carolyn Abbate is Professor of Music at Princeton University. She is the editor of
Analyzing Opera and the author of
Richard Wagner: Tristan.
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语言 英语 ● 格式 PDF ● 网页 304 ● ISBN 9781400843831 ● 文件大小 7.9 MB ● 出版者 Princeton University Press ● 市 Princeton ● 国家 US ● 发布时间 1996 ● 下载 24 个月 ● 货币 EUR ● ID 5489414 ● 复制保护 Adobe DRM
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