Fotografi, Film, Video, TV

Explores hieroglyphs as a metaphor for the relationship between new media and writing in British modernism In the British Museum, one object attracts more tourists than any other: the Rosetta Stone. …

For nearly a century, members of the Dildilian family practiced the art of photography in Ottoman Turkey, Greece and the United States. This book contains over 300 photographs, most taken during the …

BRITISH TRASH CINEMA is the first overview of the wilder shores of British exploitation and cult paracinema from the 1950s onwards. From obscure horror, science fiction and sexploitation, to art-hous …

The digital video revolution has blurred the lines between professional and amateur equipment, with some Hollywood movies being shot and edited using the same technology that families use for their v …

Il Conformist has mesmerised audiences by Bertulocci”s mastery of the telling, the beauty of the images, the camera work, its soundtrack, and the intensity with which the characters convey powerful …

The films of Michael Powell (1905-90) and Emeric Pressburger (1902-88), among them I Know Where I”m Going! (1945), A Matter of Life and Death (1947) and The Red Shoes (1948), are landmarks in Britis …

New Vampire Cinema lifts the coffin lid on forty contemporary vampire films, from 1992 to the present day, charting the evolution of a genre that is, rather like its subject, at once exhausted and vi …

This text examines the complex forces pushing and constraining technological developments in cinema. It contests the view that technological advance is simply the result of scientific progress. Rathe …

Although precise definitions have not been agreed on, historical cinema tends to cut across existing genre categories and establishes an intimidatingly large group of films. In recent years, a lively …

Civilized Violence provides a social and historical explanation for the popular appeal of cinema violence. There is a significant amount of research on the effects of media violence, but less work on …