Den Nennungen adliger Damen und Herren in literarischen sowie bildkünstlerischen Werken des Mittelalters wurde stets ein historischer Informationswert attestiert. Die aktuelle mediävistische Forschung deutet die Gönner-Angaben jedoch vermehrt als Profilierung künstlerischer Geltungsansprüche ihrer Urheber. Hier schließt der vorliegende Band an: Er bietet erstmals einen interdisziplinären Zugang zu den Erscheinungsformen von Mäzenen in den europäischen Literaturen. Zwölf Einzeluntersuchungen von Germanisten, Historikern, Mittellateinern, Niederlandisten, Romanisten und Kunsthistorikern nehmen die Gönnernennungen in ihrem spezifischen Spannungsfeld zwischen historischer Information und ästhetischem Konzept in den Blick.
The citations of noble ladies and gentlemen in literary and artistic works of the Middle Ages were always attested with historical information value. However, current medievalist research is increasingly interpreting the naming of benefactors in terms of profiling an artistic claim to prestige by the originators. The current volume takes this as its starting point: for the first time ever, it offers an interdisciplinary approach to the manifestations of benefactorial patrons in European literature. Twelve individual studies by German scholars, historians, Medieval Latinists, Dutch philosophers, Romanists and art historians elucidate how the naming of patrons spanned the poles between historical information and aesthetic conceptualisation.
The citations of noble ladies and gentlemen in literary and artistic works of the Middle Ages were always attested with historical information value. However, current medievalist research is increasingly interpreting the naming of benefactors in terms of profiling an artistic claim to prestige by the originators. The current volume takes this as its starting point: for the first time ever, it offers an interdisciplinary approach to the manifestations of benefactorial patrons in European literature. Twelve individual studies by German scholars, historians, Medieval Latinists, Dutch philosophers, Romanists and art historians elucidate how the naming of patrons spanned the poles between historical information and aesthetic conceptualisation.
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Andreas Bihrer ist Professor für Geschichte des frühen und hohen Mittelalters sowie für Historische Grundwissenschaften an der Universität Kiel.Acquista questo ebook e ricevine 1 in più GRATIS!
Lingua Tedesco ● Formato PDF ● Pagine 302 ● ISBN 9783847007364 ● Dimensione 7.1 MB ● Editore Bernd Bastert & Andreas Bihrer ● Casa editrice V&R Unipress ● Città Göttingen ● Paese DE ● Pubblicato 2017 ● Edizione 1 ● Scaricabile 24 mesi ● Moneta EUR ● ID 5613615 ● Protezione dalla copia senza
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