Jasmine Hazel Shadrack & Keith Kahn-Harris 
Heavy Metal and Disability [EPUB ebook] 
Crips, Crowds, and Cacophonies

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The relationship between metal and disability is distinctive. Persisting across metal’s sub-genres is a preoccupation with exploring and questioning the boundary that divides the body that has agency from the body that has none. This boundary is one that is familiar to those for whom the agency of the body is an everyday matter of survival.

Metal’s preoccupation with unleashing and controlling sensorial overload acts both as an analogue of neurodiversity and as a space in which those who are neurodivergent find ways to understand and leverage their sensory capacities. Metal offers potent resources for the self-understanding of people with disabilities. It does not necessarily mean that this potential is always explored or that metal scenes are hospitable to those with disabilities. This collection is disability-positive, validating people with disabilities as different but not damaged.

While metal scholars who contribute to this collection see metal as a space of possibility, in which dis/ability and other intersectional identities can be validated and understood, the collection does not imply that the possibilities that metal affords are always actualised. This collection situates itself in a wider struggle to open up metal, challenging its power structures; a struggle in which metal studies has played a significant part.

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Table of Content

    Introduction


  • ‘United We Never Shall Fall’: Metal and Disability
  •             Esther Clinton and Jeremy Wallach


  • Resonant Forms: Autistic Hearing and Heavy Metal Aesthetics
  •             Jon W. Fessenden


  • Fools Gather ‘Round to Watch Me Bleed: Disability, Isolation, and Participation in Metal’s Communities of Aesthetic Practice
  •             Rebecca Jiggens and Jasmine Hazel Shadrack


  • Disabled Drone: Trans-Feminist Noisecraft
  •              Steff Juniper


  • The Psychology of Metal Music, Culture, and Dis/Ability
  •              Kyle J. Messick


  • Neurodiversity and Heavy Metal Music
  •              Kate Quinn and Samantha Barton


  • Dis-ruptions: Heavy Metal Appropriations of Disability in Media
  •               Eric Smialek and Samantha Bassler


  • Stimming in the Pit: How Autistic Heavy Metal Fans Have Remained Unseen
  •              Vik J. Squires


  • The Bone Ballet: An Examination in the Intersectionality of Metal, Ballet, and Disability
  •              Dawn States


  • Dis/Abling Narratives of Indigenous Bodies through Decolonial Metal Music in Latin America
  •              Nelson Varas Díaz and Daniel Nevárez Araújo


  • Goth Subculture, Neurodivergence, and the Dark Power of Changeling Narratives
  •              Kayley Whalen

       Notes on Contributors

    About the author

    Keith Kahn-Harris is a senior lecturer at Leo Baeck College, a fellow of the Institute for Jewish Policy Research and an honorary fellow of the Pears Institute for the Study of Antisemitism. He has published widely in metal studies and has been the series co-editor (with Rosemary Hill) of the ‘Emerald Studies in Metal Music and Culture’ book series.
    Contact: Leo Baeck College, The Manor House, The Sternberg Centre, 80 East End Road, Finchley, London N3 2SY, UK.

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    Language English ● Format EPUB ● Pages 196 ● ISBN 9781789389463 ● File size 2.9 MB ● Editor Jasmine Hazel Shadrack & Keith Kahn-Harris ● Publisher Intellect Books ● City Bristol ● Country GB ● Published 2024 ● Downloadable 24 months ● Currency EUR ● ID 9153923 ● Copy protection Adobe DRM
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