The relationship between metal and disability is distinctive. Persisting across metal’s sub-genres is a preoccupation with exploring and questioning the boundary that divides the body that has agency from the body that has none. This boundary is one that is familiar to those for whom the agency of the body is an everyday matter of survival.
Metal’s preoccupation with unleashing and controlling sensorial overload acts both as an analogue of neurodiversity and as a space in which those who are neurodivergent find ways to understand and leverage their sensory capacities. Metal offers potent resources for the self-understanding of people with disabilities. It does not necessarily mean that this potential is always explored or that metal scenes are hospitable to those with disabilities. This collection is disability-positive, validating people with disabilities as different but not damaged.
While metal scholars who contribute to this collection see metal as a space of possibility, in which dis/ability and other intersectional identities can be validated and understood, the collection does not imply that the possibilities that metal affords are always actualised. This collection situates itself in a wider struggle to open up metal, challenging its power structures; a struggle in which metal studies has played a significant part.
表中的内容
Introduction
Esther Clinton and Jeremy Wallach
Jon W. Fessenden
Rebecca Jiggens and Jasmine Hazel Shadrack
Steff Juniper
Kyle J. Messick
Kate Quinn and Samantha Barton
Eric Smialek and Samantha Bassler
Vik J. Squires
Dawn States
Nelson Varas Díaz and Daniel Nevárez Araújo
Kayley Whalen
Notes on Contributors
关于作者
Keith Kahn-Harris is a senior lecturer at Leo Baeck College, a fellow of the Institute for Jewish Policy Research and an honorary fellow of the Pears Institute for the Study of Antisemitism. He has published widely in metal studies and has been the series co-editor (with Rosemary Hill) of the ‘Emerald Studies in Metal Music and Culture’ book series.
Contact: Leo Baeck College, The Manor House, The Sternberg Centre, 80 East End Road, Finchley, London N3 2SY, UK.
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