Jim Samson 
Cambridge Companion to Chopin [PDF ebook] 

First Published in 1995. Il primo libro delle musiche (Venice, 1618) …

”I listen to a piece and ask myself what has made the greatest impression on me. What has moved me the most about it, what has excited me the most, what it is I want to write about, what sets my min …

The English folk revival cannot be understood when divorced from the history of post-war England, yet the existing scholarship fails to fully engage with its role in the social and political fabric o …

In this essential and impassioned text, Le Roi Jones traces the intertwined development of blues and jazz music with the history of its creators in ‘White America’. As important and relevant as at it …

The Garland Handbook of African Music is comprised of essays from The Garland Encyclopedia of World Music: Volume 1, Africa, (1997). Revised and updated, the essays offer detailed, regional studies o …

A history of the English music festival is long overdue. Dr Pippa Drummond argues that these festivals represented the most significant cultural events in provincial England during the nineteenth cen …

Intended as a supplement to The Mechanical Muse: The Piano, Pianism and Piano Music, c.1760-1850, this Companion provides additional information which, largely for reasons of space but also of contin …

Creative Music Composition is designed to be an introductory textbook for music students. ‘Creative composition’-composing in your own style, rather than in the style of a composer of the past-is emb …

Nineteenth-century British periodicals for girls and women offer a wealth of material to understand how girls and women fit into their social and cultural worlds, of which music making was an importa …

While attention has been paid to various aspects of music education in China, to date no single publication has systematically addressed the complex interplay of sociopolitical transformations underl …