William A. Everett & Paul R. Laird 
Cambridge Companion to the Musical [PDF ebook] 

Isaac Albéniz is one of the most important figures in the history of Spanish music. A legendary child prodigy, he went on to become one of the leading concert pianists of his generation in Europe. Ho …

In 1949, immigrant recording engineer Moses Asch embarked on a lifelong project: documenting the world of sound produced by mankind, via a small record label called Folkways Records. By the time of h …

DJ Skills: The Essential Guide to Mixing & Scratching is the most comprehensive, up to date approach to DJing ever produced. With insights from top club, mobile, and scratch DJs, the book includes ma …

Jazz and Totalitarianism examines jazz in a range of regimes that in significant ways may be described as totalitarian, historically covering the period from the Franco regime in Spain beginning in t …

 With their complex textures, rich harmonies, and elaborate use of leitmotifs, the operas of German composer Richard Wagner (1813–83) remain some of the most influential—and contentious—in the h …

This book brings together important material from a range of sources and highlights how government organizations, musicians, academics and commercial companies are concerned with, and seek to use, a …

French Music Since Berlioz explores key developments in French classical music during the nineteenth and twentieth centuries. This volume draws on the expertise of a range of French music scholars wh …

First conceived in 1966 but only completed in 2004, Brian Wilson Presents Smile has been called ’the best-known unreleased album in pop music history’ and ‘an American Sergeant Pepper.’ Reading Smile …

Written by an active composer, performer and educator, Sonic Art: An Introduction to Electroacoustic Music Composition provides a clear and informative introduction to the compositional techniques be …

The ġāyat al-maṭlūb fī ‘ilm al-adwār wa-”l-ḍurūb by Ibn Kurr is the only theoretical text of any substance that can be considered representative of musicological discourse in Cairo during the first …