From his 1948 film debut in
Red River through such classics as
The Heiress, A Place in the Sun, and
From Here to Eternity, Montgomery Clift exemplified a new masculinity and—leading the way for a generation of actors, including Marlon Brando and James Dean—epitomized the new naturalistic style of acting. Clift’s impact was such that, both during his troubled life and after his untimely death, fans described the actor in religious terms, characterizing Clift as a vision, acolyte, and martyr. In
The Passion of Montgomery Clift, Amy Lawrence challenges the myth of Clift as tragic victim by examining Clift’s participation in the manipulation of his image, his collaborations with directors, his relationships with costars, and his interactions with writers.
O autorze
Amy Lawrence is Professor of Film and Television Studies at Dartmouth College and is the author of Echo and Narcissus: Women’s Voices in Classical Hollywood Cinema (UC Press), and The Films of Peter Greenaway.
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