On December 8, 1967
Time magazine put
Bonnie and Clyde on its cover and announced, ‘The New Cinema: Violence
Sex
Art.’ The following decade has long been celebrated as a golden age in American film history. In this innovative study, Peter Krämer offers a systematic discussion of the biggest hits of the period (including
The Graduate [1967],
The Exorcist [1973] and
Jaws [1975]). He relates the distinctive features of these hits to changes in the film industry, in its audiences and in American society at large.
Tabela de Conteúdo
Acknowledgements
Introduction: 1967 and Beyond
1. Superhits of the New Hollywood and the Roadshow Era
2. From the Roadshow Era to the New Hollywood I
3. From the Roadshow Era to the New Hollywood II
Conclusion: 1977 and Beyond
Appendices
Bibliography
Index
Sobre o autor
Peter Krämer is lecturer in film studies at the University of East Anglia. He is the coeditor of
Screen Acting and
The Silent Cinema Reader.
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