On December 8, 1967
Time magazine put
Bonnie and Clyde on its cover and announced, ‘The New Cinema: Violence
Sex
Art.’ The following decade has long been celebrated as a golden age in American film history. In this innovative study, Peter Krämer offers a systematic discussion of the biggest hits of the period (including
The Graduate [1967],
The Exorcist [1973] and
Jaws [1975]). He relates the distinctive features of these hits to changes in the film industry, in its audiences and in American society at large.
表中的内容
Acknowledgements
Introduction: 1967 and Beyond
1. Superhits of the New Hollywood and the Roadshow Era
2. From the Roadshow Era to the New Hollywood I
3. From the Roadshow Era to the New Hollywood II
Conclusion: 1977 and Beyond
Appendices
Bibliography
Index
关于作者
Peter Krämer is lecturer in film studies at the University of East Anglia. He is the coeditor of
Screen Acting and
The Silent Cinema Reader.
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