Anne L. Klinck & Ann Marie Rasmussen 
Medieval Woman’s Song [PDF ebook] 
Cross-Cultural Approaches

List of Abbreviations
Introduction
—Anne L. Klinck
Chapter 1 Sappho and Her Daughters: Some Parallels Between Ancient and Medieval Woman’s Song
—Anne L. Klinck
Chapter 2 Ides geomrode giddum: The Old English Female Lament
—Pat Belanoff
Chapter 3 Women’s Performance of the Lyric Before 1500
—Susan Boynton
Chapter 4 Ca no soe joglaresa: Women and Music in Medieval Spain’s Three Cultures
—Judith R. Cohen
Chapter 5 Feminine Voices in the Galician-Portuguese cantigas de amigo
—Esther Corral
Chapter 6 Sewing like a Girl: Working Women in the chansons de toile
—E. Jane Burns
Chapter 7 Fictions of the Female Voice: The Women Troubadours
—Matilda Tomaryn Bruckner
Chapter 8 The Conception of Female Roles in the Woman’s Song of Reinmar and the Comtessa de Dia
—Ingrid Kasten
Chapter 9 Reason and the Female Voice in Walther von der Vogelweide’s Poetry
—Ann Marie Rasmussen
Chapter 10 Ventriloquisms: When Maidens Speak in English Songs, c. 1300-1550Judith M. Bennett
Notes
List of Contributors
Index
Acknowledgments

Anne L. Klinck is Professor Emerita of English at the University of New Brunswick, Canada. She is the author of The Old English Elegies: A Critical Edition and Genre Study. Ann Marie Rasmussen is Professor of Germanic Languages at Duke University. She is the author of Mothers and Daughters in Medieval German Literature.