Cusack Christopher Cusack & Corporaal Marguerite Corporaal 
Irish Studies and the Dynamics of Memory [PDF ebook] 
Transitions and Transformations

This is the third book in the ”Understanding the Moving Image” series. Like other books in the series, it aims to provide a strong critical and theoretical base for the study of the media. It has b …

During World War II, jazz embodied everything that was appealing about a democratic society as envisioned by the Western Allied powers. Labelled `degenerate” by Hitler”s cultural apparatus, jazz wa …

This book shines much-needed light on the history, structures and films of the Amharic film industry in Ethiopia. Focusing on the rise of the industry from 2002, until today, and embedded in archival …

Film/Genre revises our notions of film genre and connects the roles played by industry critics and audiences in making and re-making genre. Altman reveals the conflicting stakes for which the genre g …

Combining a detailed account of the situation in Japanese film and criticism with unique close analyses of Kitano”s films from Violent Cop to Takeshis, the author relates the director to issues of c …

Sue Thornham”s study explores issues in feminist filmmaking through an examination of a wide range of films by women filmmakers, ranging from the avant-garde to mainstream Hollywood, and from the 19 …

Richard Roud”s Godard, first published in 1967 as ”Number One” in the seminal Cinema One series, was the first monograph on the great film-maker to be published in English, and one that reveals a …

In the film ”Seven Samurai” (1954) a whole society is on the verge of irrevocable change. Many people consider this film a major achievemnet in Japanese cinema, an epic that evokes the cultural uph …

Although new writing and research on British cinema has burgeoned over the last fifteen years, there has been a continued lack of single-authored books providing a coherent overview to this fascinati …

Cinema and Colour: The Saturated Image is a major new critical study of the use of colour in cinema. Using the dialectic of colour and monochrome as a starting point, Paul Coates explores the symboli …