Emma Westwood 
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Hieroglyphic Modernisms explores this conjunction of hieroglyphs and modernist fiction and film, revealing how the challenge of new media spurred a fertile interplay among practitioners of old and ne …

For nearly a century, members of the Dildilian family practiced the art of photography in Ottoman Turkey, Greece and the United States. This book contains over 300 photographs, most taken during the …

BRITISH TRASH CINEMA is the first overview of the wilder shores of British exploitation and cult paracinema from the 1950s onwards. From obscure horror, science fiction and sexploitation, to art-hous …

The films of Michael Powell (1905-90) and Emeric Pressburger (1902-88), among them I Know Where I”m Going! (1945), A Matter of Life and Death (1947) and The Red Shoes (1948), are landmarks in Britis …

Thinking in Images addresses the current crisis in film theory by offering a new methodology for interrelating theory and film texts. Drawing on the groundbreaking work of Michele Le Doeuff the autho …

”Paris in the Cinema” offers a new approach to the representation of Paris on screen. Bringing together a wide range of renowned French and Anglophone specialists in film, television, history, arch …

Since the earliest days of cinema the law has influenced the conditions in which Hollywood films are made, sold, circulated or presented – from the talent contracts that enable a film to go into prod …

The book provides a detailed introduction to the essential themes, style, and aesthetics of Pedro Almodovar”s films, put in the context of Spain”s profound cultural transitions since 1980. With pre …

The early twenty-first century has seen the emergence of a new style of television drama in Britain that adopts the professional practices and production values of high-end American television while …

The secular, pluralist culture of the West encourages a subjective approach to spiritual truth where stimulating emotional experiences, such as those provided by film, can contribute to personal conc …