Catalog > Științe umane > Artă / Arhitectură > Fotografie, film, video, TV > Jennings Bryant & Jerry L. Salvaggio: Media Use in the Information Age (PDF)

Jennings Bryant & Jerry L. Salvaggio
Media Use in the Information Age [PDF ebook]
Emerging Patterns of Adoption and Consumer Use

Ajutor

Copertina de Jennings Bryant & Jerry L. Salvaggio: Media Use in the Information Age (PDF)

Media Use in the Information Age (1989) analyses new technologies, their impact on mass communications, and their effects on the users of these new systems. It looks at technologies such as videotex, and their successes and failures around the world, and examines the early adoptions of technologies such as home computers.

€64.20

Cumpărați această carte electronică și primiți încă 1 GRATUIT!

Limba Engleză ● Format PDF ● Pagini 346 ● ISBN 9781003820260 ● Editor Jennings Bryant & Jerry L. Salvaggio ● Editura Taylor and Francis ● Publicat 2023 ● Descărcabil 3 ori ● Valută EUR ● ID 9241293 ● Protecție împotriva copiilor Adobe DRM

Necesită un cititor de ebook capabil de DRM

Mai multe cărți electronice de la același autor (i) / Editor

Jennings Bryant Jerry L. Salvaggio

25.976 Ebooks din această categorie

Copertina de Armen T. Marsoobian: Reimagining a Lost Armenian Home

Armen T. Marsoobian: Reimagining a Lost Armenian Home

For nearly a century, members of the Dildilian family practiced the art of photography in Ottoman Turkey, Greece and the United States. This book contains over 300 photographs, most taken during the …

Copertina de Ian Hunter: British Trash Cinema

Ian Hunter: British Trash Cinema

BRITISH TRASH CINEMA is the first overview of the wilder shores of British exploitation and cult paracinema from the 1950s onwards. From obscure horror, science fiction and sexploitation, to art-hous …

Copertina de Ian Christie & Andrew Moor: The Cinema of Michael Powell

Ian Christie & Andrew Moor: The Cinema of Michael Powell

The films of Michael Powell (1905-90) and Emeric Pressburger (1902-88), among them I Know Where I”m Going! (1945), A Matter of Life and Death (1947) and The Red Shoes (1948), are landmarks in Britis …

Copertina de Catherine Constable: Thinking in Images

Catherine Constable: Thinking in Images

Thinking in Images addresses the current crisis in film theory by offering a new methodology for interrelating theory and film texts. Drawing on the groundbreaking work of Michele Le Doeuff the autho …

Copertina de Alastair Phillips & Ginette Vincendeau: Paris in the Cinema

Alastair Phillips & Ginette Vincendeau: Paris in the Cinema

”Paris in the Cinema” offers a new approach to the representation of Paris on screen. Bringing together a wide range of renowned French and Anglophone specialists in film, television, history, arch …

Copertina de Nicole Hudgins: The Gender of Photography

Nicole Hudgins: The Gender of Photography

It would be unthinkable now to omit early female pioneers from any survey of photography”s history in the Western world. Yet for many years the gendered language of American, British and French phot …

Copertina de Robert Murphy: British Cinema of the 90s

Robert Murphy: British Cinema of the 90s

This work examines major box office hits like ”The Full Monty” as well as critically acclaimed films like ”Under the Skin”. It explores the role of distribution and exhibition, the Americanisatio …

Copertina de Emily Carman & Philip Drake: Hollywood and the Law

Emily Carman & Philip Drake: Hollywood and the Law

Since the earliest days of cinema the law has influenced the conditions in which Hollywood films are made, sold, circulated or presented – from the talent contracts that enable a film to go into prod …

Copertina de K. Gelder: New Vampire Cinema

K. Gelder: New Vampire Cinema

New Vampire Cinema lifts the coffin lid on forty contemporary vampire films, from 1992 to the present day, charting the evolution of a genre that is, rather like its subject, at once exhausted and vi …

Copertina de Ernesto R. Acevedo-Munoz: Pedro Almodovar

Ernesto R. Acevedo-Munoz: Pedro Almodovar

The book provides a detailed introduction to the essential themes, style, and aesthetics of Pedro Almodovar”s films, put in the context of Spain”s profound cultural transitions since 1980. With pre …

Pagina următoare >>>