Gilles Deleuze represents the most widely referenced theorist of cinema today. And yet, even the most rudimentary pillars of his thought remain mysterious to most students (and even many scholars) of film studies. From one of the foremost theorists following Deleuze in the world today, Deleuze and Lola Montes offers a detailed explication of Gilles Deleuze’s writings on film – from his books Cinema 1: The Movement-Image (1983) and Cinema 2: The Time-Image (1985). Building on this foundation, Rushton provides an interpretation of Max Ophuls’s classic film Lola Montes as an example of how Deleuzian film theory can function in the practice of film interpretation.
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Limba Engleză ● Format PDF ● Pagini 200 ● ISBN 9781501345777 ● Editura Bloomsbury Publishing (USA) ● Publicat 2020 ● Descărcabil 3 ori ● Valută EUR ● ID 8121124 ● Protecție împotriva copiilor Adobe DRM
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