Explores how Afro-Cuban women’s visual art challenges dominant narratives of race, gender, and identity.
Gendered Aesthetics of Blackness delves deeply into the visual artistry and activism of Afro-Cuban women in Cuba and the United States. Influential in their communities yet overlooked in the mainstream art world and academic discourse, Harmonia Rosales, María Magdalena Campos-Pons, Belkis Ayón, and Susana Pilar practice what Rosita Scerbo calls ‘Decolonial Afro ARTivism.’ These women use their art to challenge and disrupt dominant narratives, reclaim their identities and cultural heritage, and advocate for social justice. In centering their voices and meticulously analyzing their works, Scerbo not only enriches our understanding of Afro-Cuban visual culture but also pushes the boundaries of research. Groundbreaking in its decolonial approach and form, Gendered Aesthetics of Blackness engages a wide swath of sources and includes two interviews, with Rosales and with curator and popular educator Diarenis Calderon Tartabull.
Про автора
Rosita Scerbo is Assistant Professor of Afro-Latinx Studies and Women’s, Gender, and Sexuality Studies at Georgia State University. She is the author of Latinas en los márgenes: Queer ARTivismo y TRANSdisciplinariedad: Hacia una politización de la autobiografía visual de mujeres invisibles and The Afro-Descendant Woman in Latin American Diasporic Visual Art.
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