Inspired by research undertaken for the new Medieval &
Renaissance Galleries at the Victoria and Albert Museum,
Re-thinking Renaissance Objects explores and often
challenges some of the key issues and current debates relating to
Renaissance art and culture.
* Puts forward original research, including evidence provided by
an in-depth study arising from the Medieval & Renaissance
Gallery project
* Contributions are unusual in their combination of a variety of
approaches, but with each paper starting with an examination of the
objects themselves
* New theories emerge from several papers, some of which
challenge current thinking
Mục lục
Notes on contributors ix
Introduction
Peta Motture and Michelle O’Malley 1
1 Finding fame: painting and the making of careers in
Renaissance Italy
Michelle O’Malley 9
2 Set in stone: monumental altar frames in Renaissance
Florence
Meghan Callahan & Donal Cooper 33
3 Veit Stoss and the origins of collecting of small-scale
sculpture before 1500
Norbert Jopek 56
4 New light on a Venetian lantern at the V&A
Nick Humphrey & Martino Ferrari Bravo 71
5 Rethinking the Petrucci Pavement
Elizabeth Miller & Alun Graves 94
6 Dancing, love and the ‘beautiful game’: a new
interpretation of a group of fi fteenth-century
‘gaming’ boxes
Paula Nuttall 119
7 Sharing and status: the design and function of a
sixteenth-century Spanish spice stand in the Victoria and Albert
Museum
Kirstin Kennedy 142
8 Scattered knives and dismembered song: cutlery, music and the
rituals of dining
Flora Dennis 156
Bibliography 185
Index 212
Giới thiệu về tác giả
Peta Motture is Senior Curator of Sculpture at the Victoria
and Albert Museum, and was previously Chief Curator of the Medieval
& Renaissance Galleries. She has published widely on
medieval and later sculpture, specializing primarily in the Italian
Renaissance. Motture has co-curated several exhibitions and is
curator of the Robert H. Smith Renaissance Sculpture Programme at
the V&A.
Dr Michelle O’Malley is Reader in Art History at the
University of Sussex, where she has also held the position of
Director of Research in the School of Humanities. Previously, she
was Head of Education for Exhibitions at the Royal Academy of Arts,
London. Dr. O’Malley is the author of The Business of Art:
Contracts and the Commissioning Process in Renaissance Italy
(2005) and The Material Renaissance (co-edited with Evelyn
Welch, 2007).
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