New essays demonstrating and exploring the abiding fascination of Wagner’s controversial work.
Richard Wagner’s
Parsifal remains an inexhaustible yet highly controversial work. This ‘stage consecration festival play, ‘ as the composer described it, represents the culmination of his efforts to bring medieval myth and modern music together in a dynamic relationship. Wagner’s engagement with religion–Buddhist as well as Christian–reaches a climax here, as he seeks through artistic means ‘to rescue the essence of religion by perceiving its mythical symbols . . . according to their figurative value, enabling us to see their profound, hidden truth through idealized representation.’ The contributors to this collection break fresh ground in exploring the text, the music, andthe reception history of
Parsifal. Wagner’s borrowings-and departures-from the medieval sources of the Grail legend, Wolfram’s
Parzival and Chrétien’s
Perceval, are considered in detail, and the tensional relation of the work to Christianity is probed. New perspectives emerge that bear on the long genesis of the text and music, its affinities to Wagner’s earlier works, particularly
Tristan und Isolde, and the precise way in which the music was composed. Essays address the work’s bold, modernistic musical language and its unprecedented soundscape involving hidden choruses and other unseen sources of sound. The turbulent, astonishing, and sometimes disturbing history of
Parsifal performances from 1882 until 2004 is traced in vivid detail for the first time, demonstrating the abiding fascination exerted by this uniquely challenging work of art.
Contributors: Mary A. Cicora, James M. Mc Glathery, Ulrike Kienzle, Warren Darcy, Roger Allen.
William Kinderman and Katherine Syer teach at the University of Illinois at Urbana-Champaign, and often lead study seminars during the Wagner Festival in Bayreuth, Germany.
Mục lục
Introduction: The Challenge of Wagner’s
Parsifal – William Kinderman
Medievalism and Metaphysics: The Literary Background for
Parsifal – Mary Cicora
Erotic Love in Chrétien’s
Perceval, Wolfram’s
Parzival, and Wagner’s
Parsifal – James M Mc Glathery
Parsifal and Religion: A Christian Music-Drama? – Ulrike Kienzle
The Genesis of the Music – William Kinderman
Unseen Voices: Wagner’s Musical-Dramatic Shaping of the Grail Scene of Act 1 – Katherine R. Syer
‘Die Zeit ist da’: Rotational Form and Hexatonic Magic in Act 2 Scene 1 – Warren Darcy
Die Weihe des Hauses (The Consecration of the House): Houston Stewart Chamberlain and the Early Reception of
Parsifal
Parsifal – Roger Allen
The Production History – Katherine R. Syer
Giới thiệu về tác giả
ROGER ALLEN is Emeritus Fellow in Music, St Peter’s College, University of Oxford. His publications include Richard Wagner’s ‘Beethoven’ 1870: A New Translation (The Boydell Press, 2014) and Wilhelm Furtwängler: Art, Politics and the Unpolitical (The Boydell Press, 2018).
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