The book includes more than ten essays published by the author in recent years. The content is divided into two major categories: the first part consists of impressions from visiting various music museums, and the second part is an appreciation of musical instruments. The writing about musical instruments in this book is not a general introduction but is based on similar collections, exploring hidden threads, focusing on a global perspective, and presenting a new cross-cultural narrative viewpoint. The articles combine a literary and academic tone, striving to be appreciated by both the refined and the general reader. The images accompanying the work are elegant and aesthetic, setting the atmosphere. Each article is accompanied by about ten images, with a total of nearly a hundred, many of which feature rarely seen musical instruments, making the book visually pleasing and attractive to readers.Zhang Zhen-Tao is a doctoral supervisor at the Music Research Institute of the Chinese National Academy of Arts and a distinguished professor at the China Conservatory of Music. He has served as the director of the Music Research Institute of the Chinese National Academy of Arts, deputy director of the Central National Orchestra, and editor-in-chief of "Chinese Musicology." His works include monographs such as "Breaking the Calm-Tradition and Change in the Drum Music of Northern Shanxi" and "Sound Overflows the Mountain Gate-Ethnomusicology of Northern Shaanxi"; collections of papers such as "Seeking Joy in the Wilderness, " "Wind Sounds in the Ear, " and "Burning Strings." He has also edited the "Complete Works of Yang Yinliu" (13 volumes), "Huang Xiangpeng’s Collected Works" (two volumes), "Chinese Musical Instrument Atlas, " and "Chinese Gongchepu Music Score Collection" (10 volumes).
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