From such films as La Dolce Vita and Bicycle Thieves to Cinema Paradiso and Dear Diary, Italian cinema has provided striking images of Italy as a nation and a people. In the first comprehensive study of Italian cinema from 1886-1996, Pierre Sorlin explores the changing relationship of Italian cinema and Italian society and asks whether the national cinema really does represent Italian interests and culture.
Dieses Ebook kaufen – und ein weitere GRATIS erhalten!
Sprache Englisch ● Format PDF ● Seiten 212 ● ISBN 9781134817788 ● Verlag Taylor and Francis ● Erscheinungsjahr 2006 ● herunterladbar 6 mal ● Währung EUR ● ID 2590047 ● Kopierschutz Adobe DRM
erfordert DRM-fähige Lesetechnologie