From such films as La Dolce Vita and Bicycle Thieves to Cinema Paradiso and Dear Diary, Italian cinema has provided striking images of Italy as a nation and a people. In the first comprehensive study of Italian cinema from 1886-1996, Pierre Sorlin explores the changing relationship of Italian cinema and Italian society and asks whether the national cinema really does represent Italian interests and culture.
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Idioma Inglés ● Formato PDF ● Páginas 212 ● ISBN 9781134817788 ● Editorial Taylor and Francis ● Publicado 2006 ● Descargable 6 veces ● Divisa EUR ● ID 2590047 ● Protección de copia Adobe DRM
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