From such films as La Dolce Vita and Bicycle Thieves to Cinema Paradiso and Dear Diary, Italian cinema has provided striking images of Italy as a nation and a people. In the first comprehensive study of Italian cinema from 1886-1996, Pierre Sorlin explores the changing relationship of Italian cinema and Italian society and asks whether the national cinema really does represent Italian interests and culture.
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Langue Anglais ● Format PDF ● Pages 212 ● ISBN 9781134817788 ● Maison d’édition Taylor and Francis ● Publié 2006 ● Téléchargeable 6 fois ● Devise EUR ● ID 2590047 ● Protection contre la copie Adobe DRM
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