Why did Thomas Eakins, now considered the foremost American painter of the nineteenth century, make portraiture his main field in an era when other major artists disdained such a choice? With a rich discussion of the cultural and vocational context of the late nineteenth and early twentieth centuries, Elizabeth Johns answers this question.
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Language English ● Format PDF ● Pages 328 ● ISBN 9781400820252 ● File size 65.7 MB ● Publisher Princeton University Press ● City Princeton ● Country US ● Published 1991 ● Downloadable 24 months ● Currency EUR ● ID 5488867 ● Copy protection Adobe DRM
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