Why did Thomas Eakins, now considered the foremost American painter of the nineteenth century, make portraiture his main field in an era when other major artists disdained such a choice? With a rich discussion of the cultural and vocational context of the late nineteenth and early twentieth centuries, Elizabeth Johns answers this question.
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Taal Engels ● Formaat PDF ● Pagina’s 328 ● ISBN 9781400820252 ● Bestandsgrootte 65.7 MB ● Uitgeverij Princeton University Press ● Stad Princeton ● Land US ● Gepubliceerd 1991 ● Downloadbare 24 maanden ● Valuta EUR ● ID 5488867 ● Kopieerbeveiliging Adobe DRM
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