Why did Thomas Eakins, now considered the foremost American painter of the nineteenth century, make portraiture his main field in an era when other major artists disdained such a choice? With a rich discussion of the cultural and vocational context of the late nineteenth and early twentieth centuries, Elizabeth Johns answers this question.
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Bahasa Inggeris ● Format PDF ● Halaman-halaman 328 ● ISBN 9781400820252 ● Saiz fail 65.7 MB ● Penerbit Princeton University Press ● Bandar raya Princeton ● Negara US ● Diterbitkan 1991 ● Muat turun 24 bulan ● Mata wang EUR ● ID 5488867 ● Salin perlindungan Adobe DRM
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