From such films as La Dolce Vita and Bicycle Thieves to Cinema Paradiso and Dear Diary, Italian cinema has provided striking images of Italy as a nation and a people. In the first comprehensive study of Italian cinema from 1886-1996, Pierre Sorlin explores the changing relationship of Italian cinema and Italian society and asks whether the national cinema really does represent Italian interests and culture.
¡Compre este libro electrónico y obtenga 1 más GRATIS!
Idioma Inglés ● Formato PDF ● Páginas 216 ● ISBN 9780203134665 ● Editorial Taylor and Francis ● Publicado 2002 ● Descargable 6 veces ● Divisa EUR ● ID 2286466 ● Protección de copia Adobe DRM
Requiere lector de ebook con capacidad DRM