From such films as La Dolce Vita and Bicycle Thieves to Cinema Paradiso and Dear Diary, Italian cinema has provided striking images of Italy as a nation and a people. In the first comprehensive study of Italian cinema from 1886-1996, Pierre Sorlin explores the changing relationship of Italian cinema and Italian society and asks whether the national cinema really does represent Italian interests and culture.
Compre este e-book e ganhe mais 1 GRÁTIS!
Língua Inglês ● Formato PDF ● Páginas 216 ● ISBN 9780203134665 ● Editora Taylor and Francis ● Publicado 2002 ● Carregável 6 vezes ● Moeda EUR ● ID 2286466 ● Proteção contra cópia Adobe DRM
Requer um leitor de ebook capaz de DRM