From such films as La Dolce Vita and Bicycle Thieves to Cinema Paradiso and Dear Diary, Italian cinema has provided striking images of Italy as a nation and a people. In the first comprehensive study of Italian cinema from 1886-1996, Pierre Sorlin explores the changing relationship of Italian cinema and Italian society and asks whether the national cinema really does represent Italian interests and culture.
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Taal Engels ● Formaat PDF ● Pagina’s 216 ● ISBN 9780203134665 ● Uitgeverij Taylor and Francis ● Gepubliceerd 2002 ● Downloadbare 6 keer ● Valuta EUR ● ID 2286466 ● Kopieerbeveiliging Adobe DRM
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