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का आवरण Tom Keller: Contemporary Transnational Remakes. The Swedish 'Män Som Hatar Kvinnor' (2009) and the Hollywood Production 'The Girl With The Dragon Tattoo' (2011)

Tom Keller: Contemporary Transnational Remakes. The Swedish ‘Män Som Hatar Kvinnor’ (2009) and the Hollywood Production ‘The Girl With The Dragon Tattoo’ (2011)

Bachelor Thesis from the year 2012 in the subject Film Science, grade: 2, 0, Technical University of Braunschweig (Englisches Seminar), language: English, abstract: On the 20th December 2011 a new Ho …

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का आवरण Claudia Stehr: Hamlet - Old mystery dressed in new medium

Claudia Stehr: Hamlet – Old mystery dressed in new medium

Seminar paper from the year 2005 in the subject Film Science, grade: 1, 5, Technical University of Braunschweig (Englisches Seminar), course: Shakespeare on Film, language: English, abstract: A Shake …

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का आवरण Susanne Schwarz: Affecting the audience through motion pictures: The cinematography of 'Amores Perros'

Susanne Schwarz: Affecting the audience through motion pictures: The cinematography of ‘Amores Perros’

Seminar paper from the year 2009 in the subject Film Science, grade: 1, 7, University of London, course: Latin American Cinema, language: English, abstract: Amores Perros (2000) is the first feature …

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का आवरण Sarah Hofmann: Elements of Film Noir and its Implementation in the Contemporary TV-Series 'True Detective'

Sarah Hofmann: Elements of Film Noir and its Implementation in the Contemporary TV-Series ‘True Detective’

Seminar paper from the year 2015 in the subject Film Science, grade: 1, 7, Justus-Liebig-University Giessen (Institut für Anglistik), course: Introduction to Crime Fiction, language: English, abstrac …

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का आवरण Jens Böckenfeld: How Filming Technique Helped Tim Burton to Realize his Vision of 'Alice in Wonderland'

Jens Böckenfeld: How Filming Technique Helped Tim Burton to Realize his Vision of ‘Alice in Wonderland’

Seminar paper from the year 2013 in the subject Film Science, grade: 2, 0, Leuphana Universität Lüneburg (Institute of English Studies), course: English Linguistics and Literature: Alice in Wonderlan …

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का आवरण Markus Widmer: What makes the films of David Lynch and Jim Jarmusch postmodern?

Markus Widmer: What makes the films of David Lynch and Jim Jarmusch postmodern?

Seminar paper from the year 1998 in the subject Film Science, grade: 1, University of Aberdeen (English Department), course: American Film Renaissance, language: English, abstract: The term ‘postmode …

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का आवरण Ben Wharton: 1000 Last of the Summer Wine Facts

Ben Wharton: 1000 Last of the Summer Wine Facts

With its gentle humour, bumbling escapades, and endearing charm, Last of the Summer Wine became a cultural phenomenon around the globe. Step into the picturesque Yorkshire countryside and prepare for …

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का आवरण Oliver Schill: The expressionistic style and the theatricality in Stanley Kubrick's A Clockwork Orange (1971)

Oliver Schill: The expressionistic style and the theatricality in Stanley Kubrick’s A Clockwork Orange (1971)

Seminar paper from the year 2003 in the subject Film Science, grade: A, Concordia University Montreal (Mel Hoppenheim School Of Cinema), course: Stanley Kubrick Seminar, language: English, abstract: …

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का आवरण Sam Pine: The 100 Best Superhero Movies

Sam Pine: The 100 Best Superhero Movies

Suffering from superhero fatigue? Superhero films are ten a penny these days and often disappoint with their cardboard characters and tiresome CGI destruction. Though this genre is increasingly the o …

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का आवरण Claudia Rumms: Narrative Complexity in Christopher Nolan’s 'Memento'. Narrative Structure, Unreliability, Fabula Construction and Cinematography as Key Elements for the Spectator’s Manipulation

Claudia Rumms: Narrative Complexity in Christopher Nolan’s ‘Memento’. Narrative Structure, Unreliability, Fabula Construction and Cinematography as Key Elements for the Spectator’s Manipulation

Seminar paper from the year 2015 in the subject Film Science, grade: 1, 3, University of Münster, language: English, abstract: In my term paper, I will examine the narrative structure in “Memento“ wh …

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