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1,662 此类电子书

的封面 Karl Thomas Smith: Now Go

Karl Thomas Smith: Now Go

Grief is all around us. Even at the heart of the brightly coloured, vividly characterised, joyful films of Studio Ghibli, they are wracked with loss – of innocence and love, of the world itself and o …

的封面 Oliver Schill: The expressionistic style and the theatricality in Stanley Kubrick's A Clockwork Orange (1971)

Oliver Schill: The expressionistic style and the theatricality in Stanley Kubrick’s A Clockwork Orange (1971)

Seminar paper from the year 2003 in the subject Film Science, grade: A, Concordia University Montreal (Mel Hoppenheim School Of Cinema), course: Stanley Kubrick Seminar, language: English, abstract: …

的封面 Tony Virgo: The Bumper Book of Carry On Trivia

Tony Virgo: The Bumper Book of Carry On Trivia

The Carry On film series is a British institution with a long running series of much loved films. The series had many famous moments and stars some of best British comedy actors and actresses. Learn …

的封面 Thorsten Felden: Man/Machine Interaction in the Work of Stanley Kubrick

Thorsten Felden: Man/Machine Interaction in the Work of Stanley Kubrick

Thesis (M.A.) from the year 2006 in the subject Film Science, grade: 1, 3, University of Cologne (Englisches Seminar), language: English, abstract: In this paper, I want to examine Kubrick’s work for …

的封面 Tobias Beidermühle: The Cinematographer: Dean Cundey

Tobias Beidermühle: The Cinematographer: Dean Cundey

Research Paper (undergraduate) from the year 2009 in the subject Film Science, grade: A, Savannah College of Art and Design – The University for Creative Careers (School of Film and Digital Media, Sa …

的封面 Stefanie Brunn: Feminized, post-masculine men in Fight Club

Stefanie Brunn: Feminized, post-masculine men in Fight Club

Essay from the year 2008 in the subject Film Science, grade: 1, 0, Humboldt-University of Berlin (Anglistik / Amerikanistik), course: Postmodern Cinema, language: English, abstract: David Fincher’s m …

的封面 Sandra Kuberski: Sergei Eisenstein’s Montage Techniques and their Meanings in Comparison to Louis Buñuel’s 'Un Chien Andalou'

Sandra Kuberski: Sergei Eisenstein’s Montage Techniques and their Meanings in Comparison to Louis Buñuel’s ‘Un Chien Andalou’

Essay from the year 2011 in the subject Film Science, grade: 1, 3, University of Essex (Film), course: Introduction to Film, language: English, abstract: In the 1930s the Soviet revolutionary cinema …

的封面 Ursula Fudge: Elements of postmodern cinema in the Japanese Film 'Kamikaze Girls' in comparison to the German Film 'Run Lola Run'

Ursula Fudge: Elements of postmodern cinema in the Japanese Film ‘Kamikaze Girls’ in comparison to the German Film ‘Run Lola Run’

Essay from the year 2013 in the subject Film Science, grade: 65%, Birkbeck, University of London, course: MA World Cinema, language: English, abstract: Postmodernity, despite its connotations with mo …

的封面 Andreas Schwarz: The Next Generation - Translating 'Star Trek' into 21st Century Language

Andreas Schwarz: The Next Generation – Translating ‘Star Trek’ into 21st Century Language

Seminar paper from the year 2009 in the subject Film Science, grade: 1, 7, Free University of Berlin (John-F.-Kennedy-Institut), language: English, abstract: The Original Series (hereafter TOS) of St …

的封面 Racism and stereo types in Walt Disney movies. An analysis of 'Pocahontas' (1995)

Racism and stereo types in Walt Disney movies. An analysis of ‘Pocahontas’ (1995)

Seminar paper from the year 2015 in the subject Film Science, grade: 1, 0, University of Kassel (Geistes- und Kulturwissenschaften), course: Sociolinguistic Studies: Structures of Othering, language: …