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Sampul Karl Thomas Smith: Now Go

Karl Thomas Smith: Now Go

Grief is all around us. Even at the heart of the brightly coloured, vividly characterised, joyful films of Studio Ghibli, they are wracked with loss – of innocence and love, of the world itself and o …

Sampul Oliver Schill: The expressionistic style and the theatricality in Stanley Kubrick's A Clockwork Orange (1971)

Oliver Schill: The expressionistic style and the theatricality in Stanley Kubrick’s A Clockwork Orange (1971)

Seminar paper from the year 2003 in the subject Film Science, grade: A, Concordia University Montreal (Mel Hoppenheim School Of Cinema), course: Stanley Kubrick Seminar, language: English, abstract: …

Sampul Tony Virgo: The Bumper Book of Carry On Trivia

Tony Virgo: The Bumper Book of Carry On Trivia

The Carry On film series is a British institution with a long running series of much loved films. The series had many famous moments and stars some of best British comedy actors and actresses. Learn …

Sampul Tobias Beidermühle: The Cinematographer: Dean Cundey

Tobias Beidermühle: The Cinematographer: Dean Cundey

Research Paper (undergraduate) from the year 2009 in the subject Film Science, grade: A, Savannah College of Art and Design – The University for Creative Careers (School of Film and Digital Media, Sa …

Sampul Thorsten Felden: Man/Machine Interaction in the Work of Stanley Kubrick

Thorsten Felden: Man/Machine Interaction in the Work of Stanley Kubrick

Thesis (M.A.) from the year 2006 in the subject Film Science, grade: 1, 3, University of Cologne (Englisches Seminar), language: English, abstract: In this paper, I want to examine Kubrick’s work for …

Sampul Stefanie Brunn: Feminized, post-masculine men in Fight Club

Stefanie Brunn: Feminized, post-masculine men in Fight Club

Essay from the year 2008 in the subject Film Science, grade: 1, 0, Humboldt-University of Berlin (Anglistik / Amerikanistik), course: Postmodern Cinema, language: English, abstract: David Fincher’s m …

Sampul Sandra Kuberski: Sergei Eisenstein’s Montage Techniques and their Meanings in Comparison to Louis Buñuel’s 'Un Chien Andalou'

Sandra Kuberski: Sergei Eisenstein’s Montage Techniques and their Meanings in Comparison to Louis Buñuel’s ‘Un Chien Andalou’

Essay from the year 2011 in the subject Film Science, grade: 1, 3, University of Essex (Film), course: Introduction to Film, language: English, abstract: In the 1930s the Soviet revolutionary cinema …

Sampul Andreas Schwarz: The Next Generation - Translating 'Star Trek' into 21st Century Language

Andreas Schwarz: The Next Generation – Translating ‘Star Trek’ into 21st Century Language

Seminar paper from the year 2009 in the subject Film Science, grade: 1, 7, Free University of Berlin (John-F.-Kennedy-Institut), language: English, abstract: The Original Series (hereafter TOS) of St …

Sampul Christian Hansmeyer: Charlie Chaplin’s techniques for the creation of comic effect in his films

Christian Hansmeyer: Charlie Chaplin’s techniques for the creation of comic effect in his films

Essay from the year 1999 in the subject Film Science, grade: 1 (A), University of Portsmouth (School of Language and Area Studies), course: American Cinema Studies (Level 2/3), language: English, abs …

Sampul Ursula Fudge: Elements of postmodern cinema in the Japanese Film 'Kamikaze Girls' in comparison to the German Film 'Run Lola Run'

Ursula Fudge: Elements of postmodern cinema in the Japanese Film ‘Kamikaze Girls’ in comparison to the German Film ‘Run Lola Run’

Essay from the year 2013 in the subject Film Science, grade: 65%, Birkbeck, University of London, course: MA World Cinema, language: English, abstract: Postmodernity, despite its connotations with mo …

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