Drawing upon the philosophical insights of Friedrich Schlegel, Walter Benjamin, Theodor W. Adorno, and Blixa Bargeld, this book explores the persistence of a critical-deconstructive approach to musical production, consumption, and reception in the German cultural sphere of the last two centuries.
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Daftar Isi
Introduction: Musicking as a Cultural Practice 1. Friedrich Schlegel and Romanticized Music 2. Walter Benjamin and the Dialectical Sonority 3. Theodor W. Adorno and Radical Music 4. Blixa Bargeld and Noise Coda: Toward a Musical Future Perfect
Tentang Penulis
Mirko M. Hall is Associate Professor of German Studies and Affiliate Faculty in Philosophy in the Department of Languages, Cultures, and Literatures at Converse College, USA.
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Bahasa Inggris ● Format PDF ● Halaman 214 ● ISBN 9781137449955 ● Ukuran file 2.2 MB ● Penerbit Palgrave Macmillan US ● Kota New York ● Negara US ● Diterbitkan 2014 ● Diunduh 24 bulan ● Mata uang EUR ● ID 3447624 ● Perlindungan salinan DRM sosial
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