Drawing upon the philosophical insights of Friedrich Schlegel, Walter Benjamin, Theodor W. Adorno, and Blixa Bargeld, this book explores the persistence of a critical-deconstructive approach to musical production, consumption, and reception in the German cultural sphere of the last two centuries.
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Introduction: Musicking as a Cultural Practice 1. Friedrich Schlegel and Romanticized Music 2. Walter Benjamin and the Dialectical Sonority 3. Theodor W. Adorno and Radical Music 4. Blixa Bargeld and Noise Coda: Toward a Musical Future Perfect
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Mirko M. Hall is Associate Professor of German Studies and Affiliate Faculty in Philosophy in the Department of Languages, Cultures, and Literatures at Converse College, USA.
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Bahasa Inggeris ● Format PDF ● Halaman-halaman 214 ● ISBN 9781137449955 ● Saiz fail 2.2 MB ● Penerbit Palgrave Macmillan US ● Bandar raya New York ● Negara US ● Diterbitkan 2014 ● Muat turun 24 bulan ● Mata wang EUR ● ID 3447624 ● Salin perlindungan Social DRM
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