Drawing upon the philosophical insights of Friedrich Schlegel, Walter Benjamin, Theodor W. Adorno, and Blixa Bargeld, this book explores the persistence of a critical-deconstructive approach to musical production, consumption, and reception in the German cultural sphere of the last two centuries.
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Table of Content
Introduction: Musicking as a Cultural Practice 1. Friedrich Schlegel and Romanticized Music 2. Walter Benjamin and the Dialectical Sonority 3. Theodor W. Adorno and Radical Music 4. Blixa Bargeld and Noise Coda: Toward a Musical Future Perfect
About the author
Mirko M. Hall is Associate Professor of German Studies and Affiliate Faculty in Philosophy in the Department of Languages, Cultures, and Literatures at Converse College, USA.
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Language English ● Format PDF ● Pages 214 ● ISBN 9781137449955 ● File size 2.2 MB ● Publisher Palgrave Macmillan US ● City New York ● Country US ● Published 2014 ● Downloadable 24 months ● Currency EUR ● ID 3447624 ● Copy protection Social DRM
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